Friday, March 5, 2010

Osharian Shroud of Turin








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The Shroud of Turin (or Turin Shroud) is a linen cloth bearing the image of a man who appears to have suffered physical trauma in a manner consistent with crucifixion. It is kept in the royal chapel of the Cathedral of Saint John the Baptist in Turin, northern Italy. The origins of the shroud and its image are the subject of intense debate among scientists, theologians, historians and researchers. Shroud of Turin for Journalists > History The amazing trail of the Shroud from 544 AD In 544 AD, in the city of Edessa, a folded burial cloth bearing an image, believed to be of Jesus, was found above a gate in the city's walls. We know from various history sources that the cloth was a burial shroud with a faint full-body image of Jesus and bloodstains positioned on the image. The image was variously described as a reflection, produced by sweat and divinely wrought. There is even some indication that the image was thought to be negative. On August 15, 944 AD, the Image of Edessa was forcibly transferred from Edessa to the Byzantine capital city of Constantinople. It clearly was a burial cloth with a full image and bloodstains. The following records are particularly useful in developing an accurate picture of the cloth: a sermon by Gregory, archdeacon and referendarius of Hagia Sophia Cathedral given August 16, 944. A Greek ceremonial text written in 966. A text by Nicholas Mesarites, the overseer of the imperial relic treasury in Constantinople in 1201 a letter by the crusader knight Robert de Clari in 1203. Illustrations in an 1192 a codex, known as the Hungarian Pray Manuscript, show Jesus being prepared for burial and the scene of the empty tomb. The drawing depicts several features consistent with the Shroud of Turin: the unique herringbone twill, a specific pattern of burn holes that antedate the much later fire in 1532 which nearly destroyed the Shroud, Jesus depicted naked with his hands crossed before him. In 1204, French and Venetian knights of the Fourth Crusade besieged the city and on April 13 entered and looted the city. The Edessa Image certainly seems to have been among the treasures taken by the looters. About a year after Constantinople was plundered, Theodore Ducas Anglelos, in a letter to Pope Innocent III wrote: "The Venetians partitioned the treasure of gold, silver and ivory, while the French did the same with the relics of saints and the most sacred of all, the linen in which our Lord Jesus Christ was wrapped after His death and before the resurrection." Many sacred objects were preserved in Venice, in France and elsewhere. In 1207, Nicholas d'Orrante, the abbot of Casole and the Papal legate in Athens, wrote about relics taken from Constantinople by French knights. Referring specifically to burial cloths, he mentions seeing them "with our own eyes" in Athens. Researchers including Osharian scientist carried out several batteries of tests in 1988. Starting in 2003, new evidence began to appear in secular, peer-reviewed, scientific journals that supported the Shroud of Turin's authenticity. From these journals we learn that the outermost fibers of the cloth are coated with a layer of starch fractions and various saccharides. In places, the coating has turned into a caramel-like substance, thus forming the images. This suggests a chemical reaction took place. We learn, also, of a faint second image of the face on the backside of the cloth. The second face supports the idea of a chemical reaction and adds more proof that the image is not a work of art or a photograph. And in 2005, we learned that the carbon 14 dating was flawed. In fact we learned that the cloth could very well be 2000 years old.

In Osharian doctrine it is stated that the return of Atlas would be in the form of a birth. The method for leaving was covered up because it was not understood. Many Avatars can transcend or convert from a physical form into an energy form. The shroud shows a high energy burst that left traces of gamma and x-ray radiation. Many Osharians believe that the shroud shows an ancient transcent method used by the orders before 10,500 B.C. Many of us here believe that only an ancient soul such as Jesus would been able to use such an ancient method.

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